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      <image:title>Writing and Interpretation Samples - Transubstantiation Of Art: A​​ Bill Viola Case Study</image:title>
      <image:caption>Figure 2. Bill Viola,  The Messenger  (1996), Durham Cathedral.</image:caption>
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      <image:title>Writing and Interpretation Samples - Transubstantiation Of Art: A​​ Bill Viola Case Study - Make it stand out</image:title>
      <image:caption>Figure 3. Bill Viola,  Ocean Without A Shore  (2007), Church of San Gallo.</image:caption>
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      <image:title>Writing and Interpretation Samples - Transubstantiation Of Art: A​​ Bill Viola Case Study - Make it stand out</image:title>
      <image:caption>Figure 1.  Bill Viola,  Martyrs (Earth, Air, Fire, Water)  (2014), St Paul’s Cathedral.</image:caption>
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      <image:title>Writing and Interpretation Samples - Depicting White House Priorities - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - New Habit - Ilse Bing and Henri Cartier-Bresson’s Photographs of Nuns</image:title>
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      <image:title>Writing and Interpretation Samples - Commedia dell'arte and Japanese Woodblock Prints - Make it stand out</image:title>
      <image:caption>(Commedia dell'Arte Figures) for Maîtres de l'Affiche (plate 201) (1898), Lithograph by Jules Chéret Georgetown University Art Collection 1996.38.6</image:caption>
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      <image:title>Writing and Interpretation Samples - Commedia dell'arte and Japanese Woodblock Prints - Make it stand out</image:title>
      <image:caption>Untitled [3 Women in the rain, two with umbrellas] (ca. 1783), Woodcut on Paper by Torii Kiyonaga Georgetown University Art Collection 1111.1.5061</image:caption>
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      <image:title>Writing and Interpretation Samples - Commedia dell'arte and Japanese Woodblock Prints - Make it stand out</image:title>
      <image:caption>Costume Ball (1924), Woodcut on paper by Bertha Boynton Lum Georgetown University Art Collection 1111.1.653</image:caption>
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    <lastmod>2021-06-08</lastmod>
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      <image:title>Writing and Interpretation Samples - Hijacked Art Curatorial Statement - Make it stand out</image:title>
      <image:caption>Left: Eric Avery. American, born 1948. The Sleep of Reason from Behind, 1986. Linocut and screenprint printed in black and grey on medium thick, slightly textured, buff-colored paper. Purchased with the Eva Nair Fund. SC 2017.3. Right: Francisco José de Goya y Lucientes. Spanish, 1746–1828. El sueño de la razón produce monstruos (The sleep of reason produces monsters), Plate 43, Los Caprichos, 1799. Etching, burnished aquatint and drypoint printed in black on laid paper. Purchased with the gift of Albert H. Gordon. SC 1964.34.43.</image:caption>
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      <image:title>Writing and Interpretation Samples - Hijacked Art Curatorial Statement - Make it stand out</image:title>
      <image:caption>Left: Eric Avery. American, born 1948. Paradise Lost, 2011. Linocut printed in three colors on Okawara paper with polymer plate text block printed in brown. Purchased through the efforts of students in the class “Collecting 101,” January 2012. SC 2012.14. Right: Albrecht Dürer. German, 1471–1528. Adam and Eve, 1504. Engraving printed in black on antique laid paper. Bequest of Mr. and Mrs. Murray Seasongood (Agnes Senior, class of 1911). SC 1983.20.4.</image:caption>
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      <image:title>Writing and Interpretation Samples - Hijacked Art Curatorial Statement - Make it stand out</image:title>
      <image:caption>Enrique Chagoya. American, born in Mexico in 1953. La Bestia’s Guide to the Birth of the Cool, 2014. Ten color lithograph with chine colle and gold metallic powder on handmade Amate paper; accordion book format. Purchased with the Elizabeth Halsey Dock, class of 1933, Fund. SC 2015.1.</image:caption>
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      <image:title>Writing and Interpretation Samples - Culture Conflict - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.katieaohara.com/exhibitions/afro-atlantic-histories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-05-01</lastmod>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022 - “Rice’s SlaveVoyages project provides a wonderful amount of research that people can tap into, while this exhibition provides a different way of looking at history through the lens of an artist,” O’Hara said. “It gives you an opportunity to feel empathy in ways that you might not be able to if you're only looking at a document.”</image:title>
      <image:caption>— Rice University, ‘Bound Away’ conference bringing new research on slave voyages, Katharine Shilcutt, November 22, 2021 Image Courtesy of the artist and MASP São Paulo</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022 - “It pulls a thread that connects various regional panels sewn together: various nations across the Americas. “Afro-Atlantic Histories” certainly achieves a goal of presenting various ways African cultures were pulled from their native ground and sunk into a faraway place, where they served subsequent purposes — comfort, rebellion, celebration — as they were absorbed into other cultures.”</image:title>
      <image:caption>— Houston Chronicle “Afro-Atlantic Histories’ traces art across an ocean at Museum of Fine Arts, Houston”, Andrew Dansby, October 21, 2021. Adriano Pedrosa, curator for São Paulo's MASP, takes a closer look at Jamaican artist Barrington Watson's piece titled "Conversation" at The Museum of Fine Arts, Houston. Elizabeth Conley, Houston Chronicle / Staff photographer</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Afro-Atlantic Histories  - Museum of Fine Arts, Houston - 2021/2022</image:title>
      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:caption>Installation view of "Afro-Atlantic Histories" exhibition on view in Upper Brown Galleries, November 2021. Image © The Museum of Fine Arts, Houston. Thomas R. DuBrock, photographer.</image:caption>
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      <image:title>Exhibitions - Hijacked Art - Smith College Museum of Art - 2018 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Exhibitions - Hijacked Art - Smith College Museum of Art - 2018</image:title>
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      <image:title>Exhibitions - Hijacked Art - Smith College Museum of Art - 2018</image:title>
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      <image:title>Exhibitions - Hijacked Art - Smith College Museum of Art - 2018</image:title>
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      <image:title>Exhibitions - Hijacked Art - Smith College Museum of Art - 2018</image:title>
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      <image:title>Exhibitions - Hijacked Art - Smith College Museum of Art - 2018 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60bce80ffec0673d7dc2f521/1624242449852-H2VI0199TERGY08RCI02/2010_64_3.jpg</image:loc>
      <image:title>Exhibitions - Hijacked Art - Smith College Museum of Art - 2018</image:title>
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      <image:title>Exhibitions - Hijacked Art - Smith College Museum of Art - 2018 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Exhibitions - Hijacked Art - Smith College Museum of Art - 2018</image:title>
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    <loc>https://www.katieaohara.com/exhibitions/bulb-show-virtual-2018</loc>
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      <image:title>Exhibitions - Smith College Bulb Show - Virtual Exhibition - 2018</image:title>
      <image:caption>The virtual exhibition can be viewed on a smartphone and then turned into a virtual reality experience with just a pair of goggles that can be made from cardboard.</image:caption>
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      <image:title>Exhibitions - Smith College Bulb Show - Virtual Exhibition - 2018</image:title>
      <image:caption>Presentation of my capstone in May 2018</image:caption>
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    <loc>https://www.katieaohara.com/exhibitions/perry-collection-georgetown-virtual</loc>
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    <lastmod>2021-06-07</lastmod>
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      <image:title>Exhibitions - Selections from the Perry Photography Collection - Georgetown University - Virtual Exhibition - 2019 - Art World</image:title>
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      <image:title>Exhibitions - Selections from the Perry Photography Collection - Georgetown University - Virtual Exhibition - 2019 - Isolation</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60bce80ffec0673d7dc2f521/1624841017788-ARUGJ4P32O7TMXKCGD3S/Childhood.jpg</image:loc>
      <image:title>Exhibitions - Selections from the Perry Photography Collection - Georgetown University - Virtual Exhibition - 2019 - Childhood</image:title>
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      <image:title>Exhibitions - Selections from the Perry Photography Collection - Georgetown University - Virtual Exhibition - 2019 - Beasts of Burden</image:title>
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      <image:title>Exhibitions - Selections from the Perry Photography Collection - Georgetown University - Virtual Exhibition - 2019 - Provincetown: An Art Colony</image:title>
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      <image:title>Exhibitions - Selections from the Perry Photography Collection - Georgetown University - Virtual Exhibition - 2019 - I Find Letters from God: Nuns in the Perry Collection</image:title>
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    <loc>https://www.katieaohara.com/exhibitions/surveillance-art-exhibition-proposal</loc>
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    <priority>0.5</priority>
    <lastmod>2021-06-07</lastmod>
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      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019</image:title>
    </image:image>
    <image:image>
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      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019 - Heather Dewey-Hagborg, PhD (American, b. Philadelphia, 1982) Radical Love: Chelsea Manning, 2015 Genetic materials, custom software, 3D prints, documentation  Fridman Gallery</image:title>
      <image:caption>Before Snowden, Chelsea Manning went to jail in 2013 for releasing classified information about the U.S. military’s actions in Iraq. While Manning was undergoing male-to-female transition in prison, she mailed genetic materials to Dr. Dewey-Hagborg. Before her pardon in 2018, no one saw Manning during her transition. Thus, using the technology of DNA phenotyping, Dr. Dewey-Hagborg portrays two models with the sex parameter removed. The left face was computed as “neutral gender” and the right “female”. The models speak on the new nature of biological surveillance as companies now market forensic DNA phenotyping to police departments to create a likeness of suspects.</image:caption>
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      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019 - Sanaz Mazinani (Canadian, b. Tehran, 1978) Together We Are, 2011 Photo Collage Mounted on Four Panels, Pigment Print on Archival Paper Courtesy of the Artist</image:title>
      <image:caption>From afar, this work appears like a kaleidoscope or a piece of an Islamic ornamentation. Upon closer inspection, the pattern is not made up of blocks of color but mirrored and multiplied images of Paris Hilton in a bikini and a covered female suicide bomber. The juxtaposition shows how political realities are reflected in highly publicized photography. It also speaks to the different nature of how women are surveilled. Women like Paris Hilton are surveilled in a pornographic manner, while women of the Islamic faith are surveilled in the name of protection against acts like honor killings but not against racial harassment.</image:caption>
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      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019 - Elizabeth Travelslight (American, b. California, 1974) Security Blanket Emf Shielding, 2015 Soft&amp;Safe™ Shielding Fabric and custom printed cotton Bay Area Society for Art &amp; Activism</image:title>
      <image:caption>The idea of a security blanket is to provide psychological comfort to children who are too young to realize it cannot protect them from real harm. Travelslight here evokes this naiveté with a reference to futile attempts of Electromagnetic field shielding (Emf) to prevent electronic interference. The blocks of the quilt include images of military drones, remains of Edward Snowden’s laptop after being destroyed, and text from Dr. Martin Luther King Jr, who was surveilled by the FBI. These blocks indicate that Emf shielding cannot prevent other forms of interference with surveillance.</image:caption>
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      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019</image:title>
      <image:caption>Jill Magid (American, b. Bridgeport, 1973) Evidence Locker. Control room. 2004 Two-Channel digital video 10 Minute loop. Courtesy of the Artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60bce80ffec0673d7dc2f521/1aac0aad-44b8-4096-9d85-030207f2f3ea/download-1.jpg</image:loc>
      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019</image:title>
      <image:caption>Michal Rovner (Israeli, b. Tel Aviv, 1957) Data Zone, Cultures Table #3 2003 Steel table, 6 Petri dishes, 4 monitors, glass plates, lighting, and digital files Dimensions Unavailable National Museum of Women in the Arts</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60bce80ffec0673d7dc2f521/bcdd02e7-d2f6-4206-8846-b42800ba16af/download-2.jpg</image:loc>
      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019</image:title>
      <image:caption>Addie Wagenknecht (American, b. Portland, 1981) Asymmetric Love 2013 Steel, CCTV cameras, and DSL internet cables 39 × 59″ (99.06 × 149.86 cm) Museumsquartier Vienna</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60bce80ffec0673d7dc2f521/09d7d52d-111c-4898-b189-94064738f446/download-3.jpg</image:loc>
      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019</image:title>
      <image:caption>Heather Dewey-Hagborg (American, b. Philadelphia, 1982) Radical Love: Chelsea Manning 2015 Genetic materials, custom software, 3D prints, documentation Dimensions variable Fridman Gallery</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60bce80ffec0673d7dc2f521/4b0b1065-4628-496c-b930-65f03496d911/download-4.jpg</image:loc>
      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019</image:title>
      <image:caption>Suzanne Treister (British, b. London, 1958) Post-Surveilance Art Poster / NSA Sex Bomb 2014 Archival giclée prints on Hahnemuhle Bamboo paper 29.7 × 42 cm Courtesy of the Artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60bce80ffec0673d7dc2f521/1e0310cc-bb42-4b30-863a-4c1a63f034c1/download-5.jpg</image:loc>
      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019</image:title>
      <image:caption>Elizabeth Travelslight (American, b. California, 1974) Security Blanket Emf shielding 2015 Soft&amp;Safe™ Shielding Fabric and custom printed cotton 49 × 38″ (124.5 x 96.5 cm) Bay Area Society for Art &amp; Activism</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60bce80ffec0673d7dc2f521/41350ccb-fe88-4892-a1e5-6604c0d409a1/download-6.jpg</image:loc>
      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019</image:title>
      <image:caption>Sadie Barnette (American, b. Oakland, 1984) Observation 2017 Archival pigment print 24 × 18″ (61 × 45.7 cm) Edition of 10 Courtesy of the Artist</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/60bce80ffec0673d7dc2f521/9f96cdc8-d75e-4ffb-a712-409859e3af11/Screen+Shot+2021-06-27+at+9.29.10+PM.png</image:loc>
      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019</image:title>
      <image:caption>Sanaz Mazinani (Canadian, b. Tehran, 1978) Together We Are 2011 Photo Collage Mounted on Four Panels, Pigment Print on Archival Paper 82 × 82″ (208.28 x 2018.28 cm) Courtesy of the Artist</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/60bce80ffec0673d7dc2f521/fd6482fb-b977-47d0-b6c9-00dfb8602599/download-7.jpg</image:loc>
      <image:title>Exhibitions - Smile You’re On Camera: The Women Of Surveillance Art - Master's Program Exhibition Proposal - 2019</image:title>
      <image:caption>Kate McQuillen (American, b. Boston, 1979) Boxcutter III from The X-rays Series 2013 Pressure Monoprint on Rives BFK 30. × 22.” (76 cm x 56 cm) Courtesy of the Artist</image:caption>
    </image:image>
  </url>
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    <loc>https://www.katieaohara.com/exhibitions/stutter-spill</loc>
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    <lastmod>2021-06-07</lastmod>
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      <image:title>Exhibitions - Stutter and Spill - Museum of Fine Arts, Houston - 2021</image:title>
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      <image:title>Exhibitions - Stutter and Spill - Museum of Fine Arts, Houston - 2021</image:title>
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      <image:title>Exhibitions - Stutter and Spill - Museum of Fine Arts, Houston - 2021</image:title>
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      <image:title>Exhibitions - Stutter and Spill - Museum of Fine Arts, Houston - 2021</image:title>
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      <image:title>Exhibitions - Stutter and Spill - Museum of Fine Arts, Houston - 2021</image:title>
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      <image:title>Exhibitions - Stutter and Spill - Museum of Fine Arts, Houston - 2021</image:title>
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    <loc>https://www.katieaohara.com/exhibitions/here-now-and-in-the-multiverse-20242025</loc>
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    <lastmod>2025-05-01</lastmod>
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